1898 – 1920
The Fauves worked this through clashing color, distorted forms, alien perspectives, rough brushstrokes, and flat linear patterns on canvases that weren’t always completely covered.
The Expressionists took these ideas and worked in violent colors to show emotional angst, abstracted their forms, and attempted to express modern and contemporary ideas through emotional subject matter.
These two movements – fauvism and expressionism – were some of the first examples of abstract art, only barely predating Cubism, another influential modern art movement.
Expressionism’s origins are debated; however, the two main groups were created around 1905 in Germany in reaction to the effect of industrialization and urbanization on the human condition.
The German Expressionists rejected realism in favor of the representation of emotion and shared many other ideals with other avant-garde movements of the time such as Fauvism, Cubism, Futurism, Dadaism, and Surrealism.
One of the German groups, Der Blaue Reiter, lasted for the year of 1912.
Comprised mainly of expatriate Russians living in Germany, the artists strove to express spiritual truth within their art, to remain free of strict or traditional artistic values, to promote modern art, and to be spontaneous.
This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer’s art-and that came in after the civil wars following the French Revolution”. – Edvard Munch
They were influenced and inspired by medieval art and primitivism and as they grew were influenced by other avant-garde movements toward abstraction.
There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted. – Henri Matisse
The other group, Die Brücke, is more closely related to Fauvism and is often compared to it because of their shared interest in primitivist art, emotional expression through intense unnatural color, and neither was fully abstract.
The defining difference was in the subjects and settings. Die Brücke was bolder and dealt with more intense and discomforting subjects.
Fauvism and Expressionism – Key Differences and Highlights:
- Fauvism was originated in France in the early 20th century, while Expressionism origin simultaneously in Germany and New York
- The Fauves were spontaneous with bright, vivid and colorful strokes, while expressionists used were thoughtful and well planned to ensure that they reflect their inner senses and emotions effectively.
- Fauves enjoyed and promoted collaboration, for which one reason there is a lot of debate around calling it as an art movement.
- Famous fauvism artists were Matisse and Paul Signac. Famous expressionists are Edward Munch and Emily Carr
- Maurice de Vlaminck “loved Van Gogh more than his own father” and after seeing his worked ditched his palette and began squeezing his paint right onto the canvas
- The first true Fauvist painting was completed by Matisse in the summer of 1904. The elements of the painting are the first to coalesce in the Fauvist style.
- The first four members of Die Brücke were architecture students that were interested in art and wanted to create a bridge they would form with the art of the future. The name of the group translates to “The Bridge”.
Top Expressionism Works:
- The Scream – Edvard Munch
- View of Toledo – El Greco
- Jeanne dans les fleurs – Raoul Dufy
- Self Portrait – Andre Derain
- Charing Cross Bridge – Andre Derain
- At the Circus – Georges Rouault
- Yacht at Le Havre Decorated with Flags – Raoul Dufy
- Mountains at Collioure – Andre Derain
Although, the similarities between fauvism and expressionism remains so close, the impact that expressionism created was the last longing and further led to more forms of art
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Art History Movements (Order by the period of origin)
Dawn of Man – BC 10
Paleolithic Art (Dawn of Man – 10,000 BC), Neolithic Art (8000 BC – 500 AD), Egyptian Art (3000 BC - 100 AD), Ancient Near Eastern Art (Neolithic era – 651 BC), Bronze and Iron Age Art (3000 BC – Debated), Aegean Art (2800-100 BC), Archaic Greek Art (660-480 BC), Classical Greek Art (480-323 BC ), Hellenistic Art (323 BC – 27 BC), Etruscan Art (700 - 90 BC)
1st Century to 10th Century
Roman Art (500 BC – 500 AD), Celtic Art. Parthian and Sassanian Art (247 BC – 600 AD), Steppe Art (9000BC – 100 AD), Indian Art (3000 BC - current), Southeast Asian Art (2200 BC - Present), Chinese and Korean Art, Japanese Art (11000 BC – Present), Early Christian Art (260-525 AD, Byzantine Art (330 – 1453 AD), Irish Art (3300 BC - Present), Anglo Saxon Art (450 – 1066 AD), Viking Art (780 AD-1100AD), Islamic Art (600 AD-Present)
10thCentury to 15th Century
Pre Columbian Art (13,000 BC – 1500 AD), North American Indian and Inuit Art (4000 BC - Present), African Art (), Oceanic Art (1500 – 1615 AD), Carolingian Art (780-900 AD), Ottonian Art (900 -1050 AD), Romanesque Art (1000 AD – 1150 AD), Gothic Art (1100 – 1600 AD), The survival of Antiquity ()
Art History - 15th century onwards
Renaissance Style (1300-1700), The Northern Renaissance (1500 - 1615), Mannerism (1520 – 17th Century), The Baroque (1600-1700), The Rococo (1600-1700), Neo Classicism (1720 - 1830), Romanticism (1790 -1890), Realism (1848 - Present), Impressionism (1860 - 1895), Post-Impressionism (1886 - 1904), Symbolism and Art Nouveau (1880 -1910), Fauvism , Expressionism (1898 - 1920), Cubism . Futurism (1907-1928 )Abstract Art (1907 – Present Day), Dadasim,. Surrealism (1916 - 1970),. Latin American Art (1492 - Present, Modern American Art (1520 – 17th Century), Postwar European Art (1945 - 1970), Australian Art (28,000 BC - Present), South African Art (98,000 BC - Present)